Diálogos con el Feedback. Sound experimentation laboratory
INSCRIPCIONES CERRADAS
Date: Thursday, September 14, 2023
Time: 3:00 to 7:00 p.m.
Format: In-person
Location: Sound Experimentation Room Lab3
Free admission with prior registration
Registration closed
Feedback has been a creative resource and important tool for improvisation and experimentation in the realm of sound art, experimental music, and video art.
Within the framework of the exhibition Alcance largo by American artist Nicolas Collins, the Museum has invited the research seedbeds in arts, digital arts, and sound engineering from the Universidad Nacional, the Instituto Tecnologico Metropolitano, and the Universidad San Buenaventura to engage in a dialogue with this installation and the multiple possibilities it opens for the intersection of art, science, and technology through sound.
For this laboratory, the research seedbeds will bring some performative actions and sound experiments that seek to expand the possibilities surrounding the phenomenon of feedback in dialogue with resources such as soundscape, electroacoustics, electronic music, and sound poetry.
This will be an interdisciplinary space for listening and conversation where attendees can directly experience different resources and possibilities for sound creation in the company of professors and students from undergraduate and graduate programs in arts, digital arts, and sound engineering.
This laboratory will feature the participation of Esteban Henao and Jose Toro Herrera, lead professors of the research seedbed in immersive sound environments, SIESI, from the Universidad San Buenaventura; Jose Julian Cadavid, professor of the ITM Digital Arts Research Seedbed ITM-SIAD; Jazmin Marulanda, arts student and member of the Sonoaural Seedbed at the Universidad Nacional de Colombia, Medellin campus; and Jorge Barco, sound artist and Curator of Special Projects at the Museum.
About the exhibition
Nicolas Collins. Alcance largo
An acousmatic exhibition that highlights the concept of feedback, an important element for American artist Nicolas Collins, who has been interested since the 1980s in electronic music, being a pioneer in the use of microcomputers in live performances, and has made extensive use of homemade electronic circuits, radio, found sound material, and transformed musical instruments, in an era before laptops and affordable synthesizers.
This activity is part of the Dynamic Audience Development Strategy of the Secretariat of Citizen Culture of the Mayor’s Office of Medellin