With this work, the artist won the XVIII Arturo and Rebeca Rabinovich Salon in 1998. Rendón experimented with the camera, created animations from the movement of scissors and a clock’s pendulum, and filmed city buildings, images that he later articulated and superimposed onto the shadow of a simple chair structure projected in the video. The visual result of the work is the integration of the real object and its shadow with the animation; the light on the three-dimensional structure creates an illusion of union with the projection, synchronizing what appears before our eyes as reality in time and space. Rendón’s work is, thus, a game with our perception.
The MAMM Digital Collection is a work in progress. If you have additional information or have identified any errors, please contact us at [email protected].
If you would like to explore the contents of our collection further or access supplementary documentation, you can contact us at [email protected].