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Exposición de arte en el MAMM: El arte en Antioquia y la década de los setenta. Una interpretación

Art in Antioquia and the 1970s: An Interpretation

The exhibition “Art in Antioquia and the 1970s” inaugurated the first location of the Museum of Modern Art of Medellín (MAMM) in the Carlos E. Restrepo neighborhood on April 22, 1980.1 The exhibition aimed to be not only an overview of the artistic production of the recently concluded decade but, above all, a chronicle of art in Antioquia during the 20th century and an affirmation of the importance of that decade—the 1970s—as a watershed moment in the history of Antioquian art.

The common thread of the exhibition was the profound transformation that Medellín’s art underwent during the seventies, driven in part by exhibitions such as New Art for Medellín (1967), the Coltejer Art Biennials (1968, 1970 and 1972) and Eleven Antioqueños (1975), among others, as well as the emergence of the Urban Generation, a group of artists who, leaving behind the techniques and motifs of the so-called Antioquian School, turned to the city both as a place of creation and as a preferred subject of representation.

Curated by: Alberto Sierra

Calendar From 21 de March 2018 al 04 de June del 2018
Artists: Adolfo Bernal, Alberto Uribe, Álvaro Barrios, Álvaro Marín, Ángela María Restrepo, Aníbal Gil, Aníbal Vallejo, Argemiro Vélez, Armando Londoño, Beatriz Jaramillo, Carlos Correa, Carlos Echeverri, Clemencia Echeverri, Diego Ángel, Dora Ramírez, Eladio Vélez, Ethel Gilmour, Fabio Antonio Ramírez, Francisco Antonio Cano, Francisco Londoño, Gabriel Carvajal, Germán Botero, Gregorio Cuartas, Héctor Escobar, Horacio Longas, Hugo Zapata, Humberto Chávez, Humberto Pérez, Ignacio Gómez Jaramillo, Jaime Calle, Javier Restrepo, John Castles, Jorge M. Gómez, Jorge Obando, Jorge Ortiz, José Horacio Betancur, José Posada, Juan Camilo Uribe, Julián Posada, Justo Arosemena, Leonel Estrada, Luis Alfonso Ramírez, Luis Eduardo Vieco, Luis Fernando Peláez, Manuel Hernández, Marco Tobón Mejía, María Villa, Marta Elena Vélez, Melitón Rodríguez, Óscar Jaramillo, Patricia Gómez, Pascual Ruíz, Pedro Nel Gómez, Rafael Echeverri, Rafael Sáenz, Raúl Fernando Restrepo, Ricardo Rendón, Rodrigo Arenas Betancur, Rodrigo Callejas, Ronny Vayda and Saturnino Ramírez

On the fortieth anniversary of its founding, and as an exercise in institutional archaeology, the MAMM presents an interpretation of that seminal exhibition. This interpretation aims to recognize the values ​​that gave rise to the MAMM’s exhibition program (contemporary relevance, flexibility, and connection to history), as well as the people who participated in it: artists, curators, friends of the Museum, and, especially, curator Alberto Sierra.

This somewhat imprecise re-mounting of the inaugural exhibition is an exploration of the ideas, interests, and exhibition practices of both Sierra and the nascent Museum of Modern Art. It may even differ significantly from the original exhibition. Nevertheless, we have attempted to understand and convey the essence of “Art in Antioquia and the 1970s”: the participating artists, the spirit of the works included in that exhibition, the museographic relationship between some of them, and, above all, the importance of Antioquian art in the history of this Museum.

The MAMM was founded in 1978 but its first headquarters was inaugurated on April 22, 1980. This year marks the 40th anniversary of the Museum’s founding with a series of commemorative activities, including this interpretation of the first exhibition held in its own headquarters, in the Carlos E. Restrepo neighborhood.

Obras de la colección El arte en Antioquia y la década de los setenta. Una interpretación
Obras de la colección El arte en Antioquia y la década de los setenta. Una interpretación
Obras de la colección El arte en Antioquia y la década de los setenta. Una interpretación
Obras de la colección El arte en Antioquia y la década de los setenta. Una interpretación
Obras de la colección El arte en Antioquia y la década de los setenta. Una interpretación
Obras de la colección El arte en Antioquia y la década de los setenta. Una interpretación

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