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Exposición Héroes mil de Juan Fernando Herrán

Juan Fernando Herrán. A Thousand Heroes

Heroes a Thousand is a sculptural installation by Colombian artist Juan Fernando Herrán that reflects on the nation’s historical memory and its construction through the figure of the hero. The series of large-format sculptures establishes a dialogue with the nation’s symbolic identity and its ideological processes, while simultaneously posing a contemporary reflection on the rhetoric of power. Through Heroes a Thousand, a project with which the artist participated in the 2015 Luis Caballero Prize, Herrán proposes a reconsideration of the logic of the monument as a counterpoint to the processes that emphasize and reinforce the idea of ​​the national hero or leader as the architects of history. The sculptures will be accompanied by the video Guardian Echoes, which offers a historical review reconstructing not only fragments of the sculptures’ possible journey to Bogotá but also the sculptures’ inauguration events through animations based on historical photographs.

Calendar From 28 de September 2016 al 20 de November del 2016

Relive the experience

Obra del artista Juan Fernando Herrán: Héroes mil
Obra de la exposición Héroes mil

Herrán proposes a reconsideration of the logic of the monument as a counterpoint to the processes that emphasize and endorse the idea of ​​the national hero, or the leader, as the architect and protagonist of history. The absence of the statue itself questions the validity of such spaces as sites of recognition, as well as their entry into history from the perspective of power and triumph. The devoid monuments seem to suggest that these heroes do not actually exist or that their construction is illusory.

“Tutelary Echoes,” a single-channel video accompanying the sculptures, presents a historical review that reconstructs fragments of the sculptures’ possible journey to Bogotá and the inauguration events through animations based on historical photographs. Likewise, the narrative incorporates segments from the government’s Bicentennial campaigns and archival footage to trace and question the recurrence and the persistent need of the nation’s leaders to evoke the hero and his actions as the foundation of our identity. A Thousand Heroes and Guardian Echoes examine how the idea of ​​the Colombian nation has been constructed over the last two centuries, based on the figure of the hero. The combination of these two works ultimately suggests a contemporary reflection on the rhetoric of power through the figure of the commemorative statue, reminding us that representation—and art itself—are spaces of power that must be considered from a critical perspective.

Special thanks to: Pinturas Tito Pabón

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